Anna Caterina Antonacci
As one of the top sopranos of her generation Anna Caterina won prestigious prizes during the Voci Verdiane Callas and Pavarotti contests. Her greatest honor is that of Chevalier de l'Ordre National de la Legion d'honneur. It is awarded to her by the French Republic. She has recorded the album L'Alba separadilla dilla luce L'ombra, with Donald Sulzen for Wigmore Live. This album contains songs by Tosti Cilea. Anna Caterina, a distinguished participant in the General Assembly of Academicians of Santa Cecilia's distinguished panel members in 2021, was selected as an one of the Accademici Effettivi. Anna Caterina has performed the character of Madam de Croissy, in Poulenc's Dialogues des Carmelites at the Teatro dell'Opera di Roma in the 22/23 season. This role will be recast by Anna Caterina Antoniocci at the Bayerische Staatsoper later this season. Anna Caterina Antonacci, an Italian soprano who is renowned for her performances in the bel canto repertoire and Baroque. In the past, she sang the Rossini Canon in the mezzosoprano role. Anna Caterina Antonacci's height has not current at the 62-year-old figure. We'll bring up Anna Caterina Antonacci's Height, Weight Body Measurements, Eye Color Hair Size for Color Shoes and Dresses as shortly as soon as it is possible. She's currently single. There is no evidence of her having a romantic relationship. We don't have much information about She's past relationship and the previous engagements. Accordant to our Database She doesn't have any children. Her net worth has been growing significantly in 2022-2023. How much is Anna Caterina Antonacci, in her 62nd year? Anna Caterina Antonacci's earnings comes mostly from being professional . Anna Caterina Antonacci (born 5 April, 1961) was an Italian soprano who has been renowned for her performances in the bel canto and Baroque repertories. She performed as a mezzo-soprano for a number of years, with a focus on roles in the Rossini canon. Antonacci was born and raised in Bologna but she made her Arezzo debut in the year 1986, as Rosina. In March of 2012 the New York Times published a detailed review of Antonacci.






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